SPACE invites one artist to produce a yearlong series of images for a public-facing billboard located on the east façade of Mercer Union.
Mercer Union invites artist Alize Zortlutuna to develop a yearlong series of works titled Surface Tension for the SPACE Billboard Commission in 2025-26. Working across video, performance, text, and sculpture, Zorlutuna’s practice uses gesture, repetition, and ritual to consider the relationships between bodies and ecologies. Often beginning with the forms and narratives that we carry with us, the artist’s work attunes to queer sensibilities for enlivening embodied and ancestral knowledges.
Their recent projects emerge from a longstanding interest in the traditional hydrographic printing technique of Ebru, and include works on textile and paper that resist mastery of conventional patterns in favour of emergent forms. At Mercer Union, the artist performs a sculptural study of the distinct marbled patterns of Ebru by using large-format digital reproduction and physical interventions. The series’ title alludes to the delicate and fundamental act of negotiation between water and suspended natural pigments that is central to the practice of Ebru. The artist explores this notion as a conceptual framework for reading a visual field and introduces a responsive sculptural language of cuts and folds that trace and transform the image.
For Zorlutuna, Ebru speaks to the moment when land and water, hand and breath, touch in a process of co-becoming. In each of the three sculptural banners, careful incisions splay the image, breaking its membrane to release the movements humming within. As changing light, brushing wind, and beading water act upon the works’ surface, a kinetic dialogue begins with the natural elements that were momentarily stilled in each composition.
Surface Tension: To Comb [Tarak] is the final edition in the yearlong series. The work is accompanied by a forthcoming text by Joy Xiang.
one tense
unflow me, won’t you?
spry with the moisture of you
oops, i tripped over History
uncaught in our bedroom
in our bedroom during the war
on top of you within sinking
calves, and are we moving?
i’m not sure wet means anything
when easily, skin is shelled
one can take it in terrible directions:
what makes this limb aside from another?
i’m over here like a mouth
wagging over
still bleating, able to drip,
you help me with the order of things
first. nails down clavicles
to swim on the beat of
some other wet, like vomit
the oil slick out of me. bitter caught
tangle-lashed
holding the world’s holes
if you eat me,
please know me
where i
no, where you—
<>
if it is the way thru,
come
thru me.
a brew
of blossomed
curls
in spinal cord
the importance is in pushing, like,
universe is
a circle,
or whatever
form heals itself
i’ll call you: all nerve endings,
delight in piercing
violence laid on thick
i couldn’t see ███
didn’t know ███
breathed in too much ███
but could we
un- stuff the sorrow
un- der earth
un- what is done
un – un – un – perfect
parabola of us
sick we are with the moving
yet where i am
is the tip
of
you